• Nonon Padilla addressing a theater crowd in Star Theater. Photo by Jake Asis.

    By Pablo A. Tariman, VERA Files

    Everyone in the theater circuit agree that the Philstage Gawad Buhay life achievement award in theater for Felix “Nonon” Padilla was well-deserved.

    Padilla started in Philippine Educational Theater Association (PETA) in the company of Lino Brocka and Cecile Guidote Alvarez in the 70s but he actually debuted as stage director in 1968 in the Dulaang Sibol Contest launched by noted theater advocate Onofre Pagsanghan at the Ateneo de Manila.

    The play was “Hoy, Boyet” written by Tony Perez and it didn’t fit the usual formula for standard drama at the time.

    “The play was experimental with a rather baroque text, free verse that internally rhymed, complemented with a visual language of dance movement and colorful, fairly abstract costumes. It was a play about a teenager contemplating Death, the different forms of love as experienced by a young man, and a dream about his fears and anxieties of facing Time Future and the new world of adulthood,” Padilla

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  • By Elizabeth Lolarga, VERA Files

    Photos from the book The Odyssey of an Igorot Mission Girl

    For a woman who formally entered school at age 10, Esperanza Daliwa Somebang of Nadatngan, Mountain Province, travelled far and wide, a great believer in education and in the spirit of service to humankind.

    Somebang grew up in a culture where , “girls were expected to stay home to help in the fields, get married and raise a family.” It was something she was prepared for since she was the family baby sitter.

    But Somebang had a mother, Mauricia Badasan Suyen, who had the perspicacity to tell her before she went off to study at St. Mary’s in Sagada, “We are very poor; the only thing we can offer you is to allow you the opportunity to have an education in our mission school. We are glad to make the sacrifice, whatever it will take.”

    The Odyssey of an Igorot Mission Girl (published by Igorot Heritage Press in Lyme, Connecticut) traces Somebang’s childhood, a rural idyll on hills “abundant with wild

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  • Ina Kapatid Anak

    By Pablo A. Tariman, VERA Files

    Friday night last week, it seemed everyone who owns a TV set was glued on the final airing of the Channel 2 teleserye, “Ina, Kapatid, Anak” directed by Don M. Cuaresma and Jojo A. Saguin.

    The evening audience profile surprisingly cut through and went up the usual CD audience categories with the educated class equally awaiting the dramatic ending.

    It was a given that the masa was there as usual but it was also true that the other bulk of the teleserye watchers were public servants, working journalists and performing artists as well.

    The big come-on was the highly competent cast led by Cherrie Pie Picache, Pilar Pilapil , Janice de Belen , Ronaldo Valdez with actors Enchong Dee and Xian Lim providing the “kilig” factors.

    Alex MedinaThe amazing discovery of this recently concluded teleserye is undoubtedly the new actor Alex Medina (son of Pen Medina and brother of Ping Medina). Even in a secondary role, Alex has the temperament, the intensity and highly expressive

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  • By Mikha Flores, VERA Files

    The Supreme Court launched on Friday an electronic filing system that will digitize judicial processes in trial courts in Quezon City.

    Chief Justice Ma. Lourdes Sereno. Photo by Mikha Flores/VERA Files

    Dubbed as “eCourt”, the system uses case management software that will allow judges and court personnel to organize case flows from the filing of the complaint up to its resolution and enforcement.

    The system will be piloted in regional and municipal trial courts in Quezon City, which account for about a third of total cases handled by trial courts in metro Manila. The project will be rolled out eventually in other regions across the country.

    “We can only deliver justice if indeed the systems…that will deliver justice are abled and the eCourt system is a step in the right direction,” Chief Justice Ma. Lourdes Sereno said in her speech at the launch of the project in Quezon City.

    With the eCourt, the raffling of cases will now be done electronically instead of using tambiyolos (raffle drum), removing human intervention and

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  • Pride march

    By Patrick King Pascual, VERA Files

    Festive street parties, parades and marches usually mark the annual celebration of Pride month in June by the Lesbian, Gay, Bisexual and Transgender (LGBT) community in the country and elsewhere.

    “But Pride Month is not just about parties,” Michael David Tan, executive director of Bahaghari Center for LGBT Research, Education and Advocacy, stressed. “What we want to do in Bahaghari Center, or in the LGBT community in the Philippines in general, is to change [public] perception and [instead] look at the conditions and situations of the LGBTs more closely.”

    In recent years, LGBT organizations have resorted mainly to plain street parties to celebrate Pride Month, which do not fully convey the real meaning and message of such celebrations in the country.

    This year, Bahaghari Center and the Progressive Organization of Gays in the Philippines (ProGay Philippines) aim to promote a more thorough LGBT acceptance and education in the coming Pride

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